Birds of the Deep Place: Graphite led on paper: 2000 by Shawky

"The Lost Art of Sorcery: Rediscovering the Old Craft"

The Lost Art of Sorcery: Rediscovering the Old Craft

In an era where metaphysical practices and esoteric traditions are gaining unprecedented visibility, the art of magic is paradoxically on the verge of dissolution. The resurgence of interest in magic, sorcery, and the occult comes with a severe dilution of their original potency, reflecting an alarming degradation of their true essence. It is my conviction that much of the magic practiced today is garbage—either rooted in mundane, linear narratives that strip it of its power or wholly immersed in subjective hypotheses that ignore the disciplined rigor of the art.

Modern magic can be divided into two principal schools of failure:

1. The Rational-Linear Approach

This form of magic attempts to root itself in reason, history, and academic validation. It reads like a history of art rather than Art itself. It reduces the metaphysical to a sterile intellectual exercise, viewing magic as little more than a symbolic representation of cultural or artistic expressions. This rational-linear approach, while going unchallenged by academic standards, completely fails to grasp the ineffable, experiential core of magic. It confines itself to historical artifacts, reducing sorcery to little more than a museum exhibit or a footnote in anthropology. The metaphysical becomes dissected, categorized, and cataloged in the name of reason, leaving behind the true initiatory path.

This rational reduction, though popular in academic and scholarly circles, suffers from a deep contradiction. Magic, by its very nature, is unknowable, non-linear, and a contradiction of reason. To confine it to an academic framework is to lose it entirely. The Old seers' knew this well, and their systems reflected an understanding that the inexplicable cannot be tamed by mere intellectualism.

2. The Subjective-Emotional Approach

At the other extreme lies a second failed approach: the subjective-emotional stance. In this realm, magic becomes wholly absorbed in personal perception—undisciplined, untrained, and often ignorant of the deeper traditions. Magic is reduced to the whims of personal interpretation, absorbed into the ether of spiritual escapism or a countercultural narrative. It is profoundly meek in its assertion of anything beyond the subjective. Its practitioners—often withdrawn from the rigorous demands of training—lose themselves in illusory experiences and personal projections. Without the grounding of a coherent system or structure, this approach is at best a fantasy, at worst a delusion.

Both approaches, whether the overly academic or the excessively subjective, fall prey to the tides of social activism and cultural movements, becoming casualties of the very structures they ought to transcend. Magic, however, is beyond culture, tradition, ethics, and history. It exists outside the boundaries of time, society, and even the human need for meaning. It's Unchallenged.

Magic: the Unknowable

True magic is the unknowable. It is the nonlinear and the contradiction of reason and conformity by definition. Ishraq, the illumination of gnosis, stands as a beacon in this dark world of misplaced sorcery. Ishraq signifies a light of understanding that transcends the mundane, linear world. It points to an inner gnosis governed by a sober, coherent system—one that requires dedication to the cultivation of power.

This brings us to a simple truth often overlooked: nothing in this world of man is free. As we labor for everything we receive in the physical realm, so too must we labor in the highest of sciences and the application of the magical arts. No one is exempt from cultivating power before storing it, nor from storing power before dispersing it. To approach magic without this recognition is folly. The ancestors understood this deeply, and their systems reflected this in its initiatory structures and Oral living traditions.

Initiation is not merely a rite of passage; it is a necessary forging of the soul’s capacity to withstand, contain, and direct power. Without this formal training, or equivalency, and serious attitude toward magic, the metaphysical phenomenon will remain nothing more than a research paper at best.

Sorcery vs. Mysticism: A Critical Distinction

There is a vital distinction to be made between Sorcery and Mysticism. The former uncovers the mystery and unlocks its mechanics, the latter remains entangled in the contemplation of the inexplicable.

  • Sorcery is the active engagement with the divine and infernal, an unlocking of the hidden mechanics that govern the metaphysical and cosmic realms. It is power in motion, a direct application of the system one has been initiated into. To engage in sorcery is to labor for the uncovering of what others see as unknowable. It is to divert from mans' 'normal' perceptual position. 
  • Mysticism, on the other hand, often finds itself trapped in the passive reflection on these mysteries. While it may bring one closer to understanding the incomprehensible, it rarely moves beyond contemplation. It is the reasonable explanation of the unreasonable, a shadow of the work of the sorcerer. However, it remains within the 'normal' boundaries of mans' perceptual position. 

While mysticism can lead to profound personal experiences, it falls short of sorcery’s raw potency, which demands action, discipline, and an initiation into the highest mysteries of the universe allowing for new perceptual possibilities.

Mysticism vs Sorcery; One reflects on itself while the other reflects on infinity.

 

The Need for the Old Craft

The Ancestral understanding of magic, sorcery, and initiation was clear in its systems and hierarchies. Without these structures, modern magic remains lost, directionless, and diluted in the tides of social trends and countercultural movements. To return magic to its former stature, one must approach it with the same rigor and discipline that the Old World initiates practiced.

Most importantly it must be meet on its own Infinite accord and terms and not on terms of the finite. After all we are trying to bring the supernatural in the mundane; not putting the mundane in the miraculous; Right?

This involves serious training, a coherent system of cultivation, and the Vigilance for mastering power. simply a path of Mastery.

In an epoch of culture decay where metaphysical practices are often viewed as abstract curiosities or avenues for self-empowerment without accountability. This casual attitude is in stark contrast to the sorcerers and magicians of the past, who knew that magic was a dangerous and powerful tool, to be wielded only by those who had the capacity to master it.

To truly engage in sorcery, one must reawaken the witch's blood, its systems of initiation and traverse along the Ancestral lines, cultivating and storing power through disciplined practice. Without this foundation, magic will remain a mystery, locked away from all but the most dedicated practitioners.

Reclaiming Power 

The time has come to reclaim sorcery from the clutches of both the rational-linear and subjective-emotional approaches that dominate modern metaphysical practices. Magic is neither an academic exercise nor a subjective fantasy. It is an art that requires dedication, a coherent system of initiation, and the ability to unlock the hidden mechanics of the universe; by building upon a continuum of gnosis compiled by generations of Magi; A Tradition, A Linage.

In the end, true sorcery is the path of sweet mastery. It demands the patience of cultivation, the cunning to store power, and the ruthlessness to disperse it accurately. Anything less is not sorcery, but a pale imitation of the Old Craft that held the key to true power.

 

 

The Path of Mastery

This article challenges modern practitioners to reconsider their approach to magic, urging a return to the established initiatory systems of the past. Only through this lens can the true art of sorcery be rediscovered and reclaimed for what it is: the unlocking of mysteries and the Mastery Power.

Art: Birds of the Deep Place: graphite 'lead' on paper: 2000 by Shawky

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